Saturday, July 31, 2010

Plots in the News


If you want to write a thriller novel and are looking for a plot, consider this my gift to you:

In a move that seems inspired by "The Lord of the Rings," seven "keys" have been handed out to a trusted circle of people who might get called upon to "save" the Internet in the aftermath of a cyber attack.

But contrary to other news reports, the seven key holders have not been vested with the power to resurrect the entire Internet should it be sabotaged by hackers.

Rather, they have been given encryption keys necessary for restoring a long-touted Internet security protocol that finally came into force earlier this month.

At least five key-holding members of this fellowship would have to meet at a secure data center in the United States to reboot this so-called Domain Name System Security Extensions (DNSSEC) in case of a very unlikely system collapse.

"If you round up five of these guys, they can decrypt [the root key] should the West Coast fall in the water and the East Coast get hit by a nuclear bomb," Richard Lamb, program manager for DNSSEC at ICANN, told TechNewsDaily. . . .


Full story here


Penguin Fall Releases

Mark your calendars, people: The Morgue and Me will be released in paperback on November 11, 2010.

I got confirmation of this through a nice surprise in the mail a while ago: a copy of Penguin's fall catalog. The paperback version of The Morgue and Me is being published by Speak, a Penguin imprint started in 2002 that has put out a ridiculous number of classic books -- The Westing Game, by Ellen Raskin (which is sitting high on my to-be-read list right now), Anthony Horowitz's Alex Rider books, and Postcards from No Man's Land by Aidan Chambers to name a few.

Paging through the catalog, I spotted a couple of other fall Speak titles that look pretty great:

Hold Still, by Nina La Cour: You can consider me biased on this one, since although I've never met Nina, we share the same literary agent and blog together at the Crowe's Nest. But the people who give out the William Morris Award aren't biased, and they singled out Hold Still as one of the best YA debut books of 2009. Anyway, here's the catalog copy:

"In the wake of her best friend Ingrid's suicide, Caitlin is left alone, struggling to find hope and answers. When she finds the journal Ingrid left behind for her, she begins a journey of understanding and broadening her horizons that leads her to new friendships and first love. Nina LaCour brings the changing seasons of Caitlin's first year without Ingrid to life with emotion, honesty, and captivating writing."

Trance, by Linda Gerber: All I really know about this book is that people were grabbing for advance copies like mad when I stopped by the Penguin booth at this summer's ALA. And the premise has me intrigued:

"Ashlyn Greenfield has always known when bad things are going to happen. Each time that familiar tingling at the back of her neck begins, she knows what's to come--a trance. She's pulled in, blindsided, an unwilling witness to a horrible upcoming event. But she's never been able to stop it--not even when the vision was of her mother's fatal car accident. When soulful Jake enters Ashlyn's life, she begins having trances about another car accident. And as her trances escalate, one thing becomes clear: it's up to her to save Jake from near-certain death."

Hold Still and Trance come out in October, so there's plenty of time to read them before you rush out for The Morgue and Me in November.

Friday, July 30, 2010

I Like I Write Like . . .


By now you've already heard about I Write Like. It's the site that, using some kind of complicated algorithm, can analyze a selection of your writing and tell you which famous author you write like. I say you've already heard about the site because it has been visited 1,000,000 times by now.

Anyway, being as vain, naturally curious, and insecure as most writers, I had to check it out.

I asked the site to analyze some selections from my current work in progress, about which I am very excited. While the contents of that work in progress are top secret, I can let you in on this much: it's told from multiple perspectives, including that of a young man and a young woman. I gave the site four different chapters to analyze, two of them coming from the young man's perspective, and two from the young woman's.

For each chapter coming from the young man's perspective, the site told me that I write like . . . drumroll please . . . Cory Doctorow. Sweet! Considering that I loved Little Brother, and that the super-secret work-in-progress has certain thematic similarities with that book, I'm a big fan of this result.

For each chapter coming from the young woman's perspective, the site told me that I write like . . . drumroll please . . . Margaret Mitchell. Again, sweet! Considering that Gone With the Wind sold over 30 million copies and earned Ms. Mitchell the Pulitzer Prize in 1937, I'm a big fan of this result as well.

Now, as great as the whole "I Write Like" idea is, and as much fun as it is for us authors, there are two things that I particularly, umm, like about it. First, the site detected a distinct difference in writing style between the sections told from the young man's perspective and those from the young woman's perspective. The two characters have much different voices -- or, well, they're supposed to -- and I'm taking the "I Write Like" results as a small confirmation of success on that front.

(Aside: you know how certain actors seem to play themselves regardless of what qualities their characters are supposed to have, while others, like Meryl Streep, disappear into their roles? When you're writing from a particular character's perspective, it's sort of like you're trying to inhabit a role. I'm taking this "I Write Like" thing with a grain of salt, but the fact that the site found one character's passages different from the other's suggests the two "roles" feel distinct. Hooray!)

Second, with respect to each character's two passages, the results were identical. So, I'm taking this as a small indication that each voice is consistent. To go back to the acting analogy again, I suppose this means I didn't, like, suddenly lose my southern accent halfway through the movie.

Check it out for yourself and see who you write like . . .

Wednesday, July 21, 2010

Old Spice Guy Talks, Awesomely, About Libraries

You've probably already seen this, but the Old Spice guy recently decided to answer a question about libraries. Per usual, it's awesome:

Le Morgue Et Moi


I've been sitting on this for a while, but now that I'm blogging on the regular again it's time to announce the big news: French rights to The Morgue and Me have been sold!

Someday, somewhere, there will be a new version of The Morgue and Me (called Le Morgue Et Moi, if you can trust my French translation skills, which you shouldn't) with a new French cover and lots of French words inside. The publisher is La Martininere Jeunesse, and, well, I am absolutely thrilled.

And now I bid you adieu.

Sunday, July 18, 2010

YouTube Reviews

I came across a couple of fun YouTube reviews of The Morgue and Me lately. The first is from Liz V. of the Capital Area District Library, who has also done a video review of Laurie Halse Anderson's Wintergirls. Here she is on The Morgue and Me:



And here's one that I really loved, from YouTuber "Snickerbug12," who -- full disclosure -- only rates The Morgue and Me a "2.5 or maybe a 3." But she won me over with her energy, and I love the sign off towards the end: "Read, read, read!"

Facebook Page Surprise

The Morgue and Me has a Facebook page! I don't know how that happened, but it's pretty cool to see it up there. (I tried to add my website as the "official page" for The Morgue and Me, but Facebook denied me. It said it "did not recognize" that URL. Sigh -- no respect.)

Anyway, check it out here and "like" The Morgue and Me on Facebook.